Cape Cinema

All individual tickets now available the general public.

Individual encore and live tickets now available to Met members

• Aug 27: individual encore tickets available to Metropolitan Opera members only
• Sept 3: individual encore tickets available to Cinema Club, CCMA & Cape Playhouse subscribers
• Sept 5: individual live and encore tickets available to Met members
• Sept 7: all tickets available to general public

In additional to online and box office sales, tickets may be purchased by calling 1-888-71-TICKETS (1-888-718-4253), Monday - Friday, 9 AM - 6 PM EST.

Two unparalleled artists join forces to create a groundbreaking new Ring for the Met: Maestro James Levine and director Robert Lepage. "The Ring is not just a story or a series of operas, it's a cosmos," says Lepage (La Damnation de Faust), who brings cutting-edge technology and his own visionary imagination to the world's greatest theatrical journey. Bryn Terfel, singing his first, much-anticipated Met Wotan, leads the cast in Das Rheingold, the Ring's first installment. Levine, who has conducted every complete cycle of Wagner's masterpiece performed by the Met since 1989, says, "The Ring is one of those works of art that you think you know, but every time you return to it, you find all kinds of brilliant moments that hadn't struck you with the same force before." "The Ring is about change," director Lepage says. "I try to be extremely respectful of Wagner's storytelling, but in a very modern context. We're trying to see how in our day and age we can tell this classical story in the most complete way."

Bass René Pape takes on one of the greatest roles in a production by Stephen Wadsworth. Valery Gergiev conducts Mussorgsky's soulful spectacle, which captures the suffering and ambition of a nation. Aleksandrs Antonenko, Vladimir Ognovenko, and Ekaterina Semenchuk lead the huge cast in a work that is also a breathtaking showcase for the Met's formidable chorus.

Anna Netrebko returns to the role that made her a Met star, with Matthew Polenzani, Mariusz Kwiecien, and John Del Carlo. Music Director James Levine conducts.

"I think Don Carlo is the quintessential Verdi opera," says director Nicholas Hytner (The History Boys, The Madness of King George), who makes his Met debut with this new production, which was greeted with popular success when it opened in London. "Right through this opera there is, on the one hand, an implacable expression of impending doom and, on the other hand, a succession of the most gloriously open-throated arias, the most fantastically determined music." Roberto Alagna leads the cast in the title role. Ferruccio Furlanetto, Marina Poplavskaya, Anna Smirnova, and Simon Keenlyside also star in Verdi's most ambitious opera. "Not one of these characters is prepared to accept his or her own tragic destiny," Hytner says of this epic tragedy in which romantic desire shapes the course of nations. Yannick Nézet-Séguin, back after his triumphant debut leading Carmen, conducts.
A co-production of the Metropolitan Opera, Royal Opera House, Covent Garden, and the Norwegian National Opera & Ballet

Puccini's wild west opera stars all-American diva Deborah Voigt and Marcello Giordani, and is conducted by Nicola Luisotti. The performances mark the 100th anniversary of the opera's world premiere at the Met.

"All of my operas have dealt on deep psychological levels with our American mythology," says Pulitzer Prize-winning composer John Adams, whose most famous opera has its Met premiere. "The meeting of Nixon and Mao is a mythological moment in world history, particularly American history." Acclaimed director and longtime Adams collaborator Peter Sellars makes his Met debut with this groundbreaking 1987 work, an exploration of the human truths beyond the headlines surrounding President Nixon's historic 1972 encounter with Mao and Communist China. Baritone James Maddalena stars as Nixon, a role he created to widespread acclaim. Nixon in China, Sellars says, "shows you what opera can do to history, which is to deepen it and move into its more subtle, nuanced, and mysterious corners."
This production was originally created by English National Opera.

Susan Graham, Plácido Domingo, and Paul Groves reprise their starring roles in Gluck's masterful interpretation of the Greek myth.

A co-production of the Metropolitan Opera and Seattle Opera.

Natalie Dessay returns to her triumphant portrayal of the fragile heroine in the Met's hit production. Also starring Joseph Calleja.

Rossini's vocally dazzling comedy soars with bel canto sensation Juan Diego Flórez in the title role of this Met premiere production. He vies with mezzo-soprano Joyce DiDonato, in the trouser role of Isolier, for the love of the lonely Countess Adèle, sung by soprano Diana Damrau. Bartlett Sher, director of the Met's popular productions of Il Barbiere di Siviglia and Les Contes d'Hoffmann, describes the world of Le Comte Ory as, "a place where love is dangerous. People get hurt. That can be very funny and very painful. Rossini captures both—with the most beautiful love music he ever wrote."

Renée Fleming dazzled audiences when she sang Capriccio's final scene on Opening Night of the 2008–09 season. Now she sings Strauss's entire diva showcase, with Andrew Davis conducting.

David McVicar's popular production returns with Patricia Racette, Sondra Radvanovsky, Dolora Zajick, Marcelo Álvarez, Dmitri Hvorostovsky, and Željko Lucic. James Levine and Marco Armiliato conduct.

A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco Opera Association

The Met has assembled a stellar cast for this second installment of Robert Lepage's new production of the Ring cycle, conducted by James Levine: Bryn Terfel is Wotan, lord of the Gods, in his first performances of the role with the company. Deborah Voigt adds the part of Brünnhilde to her extensive Wagnerian repertoire at the Met. Jonas Kaufmann and Eva-Maria Westbroek star as the Wälsungen twins, Siegmund and Sieglinde, and Stephanie Blythe is Fricka. "The Ring is not just a story or a series of operas, it's a cosmos," says Lepage (La Damnation de Faust), who brings cutting-edge technology and his own visionary imagination to the world's greatest theatrical journey. Levine, who has conducted every complete cycle of Wagner's masterpiece performed by the Met since 1989, says, "The Ring is one of those works of art that you think you know, but every time you return to it, you find all kinds of brilliant moments that hadn't struck you with the same force before."